2025 Fellowship — The Flaherty

Onward!

 70th Flaherty Film Seminar
June 26–29, 2025

FLAHERTY FELLOWSHIP
June 25–29

The Flaherty’s Fellowship program offers an immersive experience of the Seminar. In 2025, we will welcome Fellowship cohorts in New York City and Online. We seek Fellows who demonstrate a strong commitment to community engagement in their profession, practice, or field of study.

Applications close at midnight (EST) on April 6, 2025. 


Meet our 2025 Fellowship Team

Anisa Hosseinnezhad
Fellowship Programmer

Anisa Hosseinnezhad stands against the genocide of the Palestinian people. She is an Iranian artist, filmmaker, and cultural worker whose practice moves between filmmaking, writing, research, and organizing. She explores displacement, the Orientalist imaginary, and the politics of representation in cultural production. She is a union steward of Documentary Workers United and a member of Communications Workers of America Local 9003. Her work has been published in Jump Cut: A Review of Contemporary Media. Based in Los Angeles, she grew up in Bandar Abbas, Iran, and earned her master’s degree in Film and Media Arts from Temple University. She was a Flaherty Fellow in 2021 and she joined the Flaherty team in 2022. 

Jemma Desai
Fellowship Program Contributor

Jemma Desai is writer and artist working across film, visual arts, and performance, and a somatic facilitator working with individuals and groups. She is a practice-based PhD candidate at Central School of Speech and Drama and has previously worked with the BFI, British Council, LUX and Berwick Film & Media Arts Festival. Current collaborations include United Screens, Blackstar Film Festival in Philadelphia where she is a Programmer, and BAM in Brooklyn where she is their inaugural Experience Fellow with part of her research focusing on the relationships between performance strategies and spaces of film gathering. Her work in film centres on the conditions that allow them to appear and circulate — how, where, and to whom. In recent years, attending to the how of showing films — as Ruth Wilson Gilmore would have it “Why this? Why this, here? Why this, here, now?” — has preoccupied her more than researching what films should or could be shown. This has meant films and programmes have rarely been assembled at all. She sees this space of absence as a space of desire.

Jules Rosskam
Online Fellows Coordinator

Jules Rosskam is an award-winning filmmaker, educator, and interdisciplinary artist. He was named a 2021 Creative Capital Awardee for his new film, Desire Lines, which premiered at Sundance in 2024. The film received the NEXT Jury award at Sundance as well as six additional jury awards at festivals around the world. He is also the director of the award-winning films, Dance, Dance, Evolution (2019), Paternal Rites (2018), Something to Cry About (2018), Thick Relations (2012), against a trans narrative (2009), and transparent (2005). Recent screenings include Anthology Film Archives, Sundance, BFI Flare, Maryland Film Festival, Provincetown International Film Festival, Palm Springs International Film Festival, Out on Screen, and Chicago International Film Festival. Rosskam holds an MFA from the School of the Art Institute of Chicago and was a university professor for 17 years. Jules was a Flaherty Fellow in 2012 and was the Flaherty Online Fellows Coordinator for the past two Seminar editions in 2023 and 2024.


Agnès Varda leads a discussion at the 1976 Flaherty Film Seminar, programmed by Caroline Hennig

About the 2025 Flaherty Fellowship

The 2025 Fellowship program will run Wednesday, June 25, through Sunday, June 29. In-person Fellows will arrive in New York by Noon ET on Wednesday, June 25.

In 2025, the Fellowship cohorts in person and online will experience 4 full days of programming.
These include the 5 public programs available to all pods and seminar participants, as well as 5-8 additional Fellowship-only programs offered by the Seminar programmers Janaína Oliveira, Carlos Gutiérrez, and Richard Herskowitz, as well as programs and workshops with Jemma Desai. The In-Person Fellowship is led by Anisa Hosseinnezhad.

The Online Fellowship will be facilitated by Jules Rosskam and accommodates Fellows from all locations. The Online Fellowship meets for 4 hours each day June 25-29th, from 10am-2pm Eastern Time. The timing of the Online Fellowship means that Fellows in Asian and South Pacific time zones will be staying up late; Fellows on the West Coasts of South and North America will be getting up early. We invite Fellowship applicants to embrace this “window” outside of your regular routine to heighten your participation in this unique gathering format.

Fellowship participation includes:

  • Pre-Seminar Onboarding | Online sessions led by the Fellowship team to introduce Fellows to the program structure and expectations.

  • Pre-Seminar Workshop | Online session with an invited guest speaker.

  • Seminar Experience | Online and in-person Fellows receive full registration to the 70th Flaherty Seminar.

  • Fellows’ Screenings & Presentations | Opportunities to share work alongside Seminar programmers and artists.

  • Engagement with Seminar artists and programmers | Meeting opportunities and discussions with featured artists, programmers, and special guests.

Additional Support for In-Person Fellows:

  • Stipend for the duration of the Seminar

  • Lodging for the duration of the Seminar

The Fellowship does not cover the cost of travel to and from New York City. Selected Fellows are responsible for arranging their own travel to and from the Seminar.


The 2024 In-Person Flaherty Fellows at the Thai Film Archive. Photo by Vinai Dithajohn

What is expected of a Flaherty Fellow?

Fellows are expected to participate in full-day Seminar programming starting Wednesday, June 25 through Sunday, June 29.

In addition, Fellows are expected to be available for Fellowship onboarding and workshops with Seminar programmers and artists in early June. Details and dates will be included in the acceptance package.

Flaherty Fellows conclude their Fellowship program through a series of written and/or verbal feedback sessions and reports.

In-person Fellows can contribute to the Seminar by facilitating breakout group conversations. Facilitation resources and support will be provided to interested Fellows.

Eligibility

We welcome Fellows who demonstrate a deep interest in community engagement within their field. While no academic background is required, applicants should:

  • Be active in the field through research, filmmaking, or related organizational or project-based work

  • Be 21 or older

  • Not have received an In-Person Flaherty Seminar Fellowship in the last five years

  • Be available for the full duration of the program

Fellowship-specific eligibility criteria: Please review the requirements for the specific Fellowship you are applying for, below.

The Flaherty encourages applications from BIPOC and Indigenous participants, as part of our unwavering belief that our community is at its best when it is heterogeneous and inclusive of many forms of knowledge and experience.


The 2023 Queer World-Mending Online Flaherty Fellows.

2025 Fellowships offered through our Open Call

All Fellowships are offered at no cost to their recipients, thanks to our many Fellowship Partners. In 2025, eleven In-Person and eight Online Fellowship recipients will be selected via our Open Call. The remaining slots are underwritten by academic institutions who select the Fellowship recipients internally.

ONLINE

IN-PERSON

Applications close at midnight (EST) on April 6, 2025


Support for the 2025 Flaherty Fellowship program is generously provided by the LEF New England Foundation, the Waterman II Fund of the Philadelphia Foundation, the Kate Cashel Fund of The Community Foundation for the Greater Capital Region, California Institute of the Arts School of Film/Video, Duke University MFA|EDA, Cinematic Arts; and Vice-Provost of the Arts, The Film Study Center at Harvard University (FSC); Northwestern University Department of Art, Theory, Practice; University of California San Diego Visual Arts Department, Purin Pictures, Corrientes, The Nazaara Media Lab at Cornell University, California College of the Arts, Center for Documentary Media at the University of Colorado Boulder, Haverford College Department of Visual Studies, Shine Global, The Department of Cinema and Media Studies at the University of Pennsylvania, and The School of Media Studies and Eugene Lang College at The New School.